Choosing a subject for a first shot with the new film was more difficult than one might expect. There was the fact that I was ridiculously keen to try it out, balanced with not wanting to waste a limited and precious resource. I settled on this rather traditional still-life mostly because I loved the colours and was curious how they would be rendered.
The subtle orange hue to the skin of the pear was a little lost perhaps but the ageing lime and the dried pomegranate came out exactly as I had hoped they would.
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